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The Fontana Modern Masters was a series of pocket guides on writers, philosophers, and other thinkers and theorists who shaped the intellectual landscape of the twentieth century. The first five titles were published on 12 January 1970 by Fontana Books, the paperback imprint of William Collins & Co, and the series editor was Frank Kermode who was Professor of Modern English Literature at University College London. The books were very popular with students, who 'bought them by the handful' according to Kermode,〔Frank Kermode. ''Not Entitled: A Memoir''. London: HarperCollins, 1996, p.224.〕 and they were instantly recognisable by their eye-catching covers, which featured brightly coloured abstract art and sans-serif typography. == Art as book covers == The Fontana Modern Masters occupy a unique place in publishing history - not for their contents but their covers, which draw on the following developments in twentieth-century art and literature:〔(James Pardey. 'The Shape of the Century'. ) ''Eye Magazine'', Winter 2009, pp.6-8.〕〔(James Pardey. 'Oliver Bevan: In Search of Utopia'. ) '' RWA Magazine'', Autumn 2012, pp.26-27.〕 * Twentieth-century geometric abstraction, colour-field painting and hard-edge painting. * Op Art, and in particular the work of Victor Vasarely. * The English beatnik Brion Gysin's cut-up technique as popularized by William Burroughs. The cover concept was the brainchild of Fontana's art director John Constable, who had been experimenting with a cover treatment based on cut-ups of ''The Mud Bath'', a key work of British geometric abstraction by the painter David Bomberg. However, a visit to the Grabowski Gallery in London introduced Constable to the work of Oliver Bevan, a graduate of the Royal College of Art in 1964, whose optical and geometric paintings were influenced by Vasarely's Op Art. On seeing Bevan's work, Constable commissioned him to create the covers for the first ten Fontana Modern Masters, which Bevan painted as rectilinear arrangements of tesselating blocks. Each cover was thus a piece of abstract art, but as an incentive for readers to buy all ten books the covers could be arranged to create a larger, composite artwork. The 'set of ten' books appeared in 1970-71 but overran when ''Joyce'' was published with the same cover as ''Guevara'': * ''Camus'' by Conor Cruise O'Brien, 1970 * ''Chomsky'' by John Lyons, 1970 * ''Fanon'' by David Caute, 1970 * ''Guevara'' by Andrew Sinclair, 1970 * ''Lévi-Strauss'' by Edmund Leach, 1970 * ''Lukács'' by George Lichtheim, 1970 * ''Marcuse'' by Alasdair MacIntyre, 1970 * ''McLuhan'' by Jonathan Miller, 1971 * ''Orwell'' by Raymond Williams, 1971 * ''Wittgenstein'' by David Pears, 1971 * ''Joyce'' by John Gross, 1971 A second 'set of ten' featuring a new Bevan cut-up was published in 1971-73 but the inclusion of ''Joyce'' in the first 'set of ten' left this second set one book short: * ''Freud'' by Richard Wollheim, 1971 * ''Reich'' by Charles Rycroft, 1971 * ''Yeats'' by Denis Donoghue, 1971 * ''Gandhi'' by George Woodcock, 1972 * ''Lenin'' by Robert Conquest, 1972 * ''Mailer'' by Richard Poirier, 1972 * ''Russell'' by A J Ayer, 1972 * ''Jung'' by Anthony Storr, 1973 * ''Lawrence'' by Frank Kermode, 1973 A third 'set of ten' featuring Bevan's kinetic ''Pyramid'' painting began to appear in 1973-74 but Constable left before the set was complete and his replacement, Mike Dempsey, scrapped the set-of-ten incentive after eight books: * ''Beckett'' by A Alvarez, 1973 * ''Einstein'' by Jeremy Bernstein, 1973 * ''Laing'' by Edgar Z Friedenberg, 1973 * ''Popper'' by Bryan Magee, 1973 * ''Kafka'' by Erich Heller, 1974 * ''Le Corbusier'' by Stephen Gardiner, 1974 * ''Proust'' by Roger Shattuck, 1974 * ''Weber'' by Donald G MacRae, 1974 Dempsey switched the covers to a white background and commissioned a new artist James Lowe, whose cover art for the next eight books in 1975-76 was based on triangles: * ''Eliot'' by Stephen Spender, 1975 * ''Marx'' by David McLellan, 1975 * ''Pound'' by Donald Davie, 1975 * ''Sartre'' by Arthur C Danto, 1975 * ''Artaud'' by Martin Esslin, 1976 * ''Keynes'' by D E Moggridge, 1976 * ''Saussure'' by Jonathan Culler, 1976 * ''Schoenberg'' by Charles Rosen, 1976 Nine more books appeared in 1977-79 with cover art by James Lowe based on squares: * ''Engels'' by David McLellan, 1977 * ''Gramsci'' by James Joll, 1977 * ''Durkheim'' by Anthony Giddens, 1978 * ''Heidegger'' by George Steiner, 1978 * ''Nietzsche'' by J P Stern, 1978 * ''Trotsky'' by Irving Howe, 1978 * ''Klein'' by Hanna Segal, 1979 * ''Pavlov'' by Jeffrey A Gray, 1979 * ''Piaget'' by Margaret A Boden, 1979 Dempsey left Fontana Books in 1979 but continued to oversee the Modern Masters series until a new art director, Patrick Mortimer, was appointed in 1980. Four more books followed under Mortimer with cover art by James Lowe based on circles: * ''Evans-Pritchard'' by Mary Douglas, 1980 * ''Darwin'' by Wilma George, 1982 * ''Barthes'' by Jonathan Culler, 1983 * ''Adorno'' by Martin Jay, 1984 The cover concept was dropped after this and a new design was used that featured a portrait of the Modern Master as a line drawing or later a tinted photograph, and mixed serif and sans-serif typefaces, upright and italic fonts, block capitals, lowercase letters and faux handwriting. The design was used for reprints and six new titles: * ''Foucault'' by J G Merquior, 1985 * ''Derrida'' by Christopher Norris, 1987 * ''Winnicott'' by Adam Phillips, 1988 * ''Lacan'' by Malcolm Bowie, 1991 * ''Arendt'' by David Watson, 1992 * ''Berlin'' by John Gray, 1995 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Fontana Modern Masters」の詳細全文を読む スポンサード リンク
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